Red Forest Island – A Case Study in Visual Storytelling
Overview
Red Forest Island is a visual narrative that follows Jared—a gentle bear who knits—and John, a curious rabbit with energy to spare. Their days are filled with small comforts: pinecones, sweaters, tea, long silences, and soft friendship.
The process
All scenes are sketched by hand and colored digitally in Krita, using soft textures and muted palettes. I layer light, cloth grain, and natural brushwork to create a world that feels quiet, gentle, and alive—like a memory wrapped in wool.
Pinecone Gathering – a storyboard sequence from Red Forest Island
A walk through tall trees. A gesture of care. A pinecone, passed from one paw to another.
This grayscale storyboard captures a quiet forest moment between Jared and John—told through motion, light, and gentle rhythm.
The memory box – a storyboard sequence from Red Forest Island
Some things aren’t kept to be remembered—they’re remembered because they were kept.
This quiet grayscale storyboard follows Jared as he discovers a box from his past on Red Forest Island. Inside rests the memory of how he learned to knit—from an old friend whose kindness still stitches warmth into every gesture.
The Gift – a storyboard sequence from Red Forest Island
Some moments speak not with words, but with light, gesture, and care.
In this six-panel grayscale storyboard, we follow a quiet afternoon shared by two friends—Jared and John—on Red Forest Island. As Jared prepares and offers a hand-knitted scarf, the sequence explores emotional pacing through silence, eye contact, and the small rituals that say “I see you” without needing to speak.
Each beat is shaped with light and shadow, inviting the viewer to slow down and feel the space between the gestures. This is a story about tenderness. And about the weight a simple gift can carry.
From the First Spark
This early sketch marked the beginning of Red Forest Island. Long before the storyboards took shape, it captured the mood, silhouettes, and quiet companionship that still echo through every frame. Jared and John arrived not fully formed, but already familiar—drawn in the soft light of a world waiting to unfold.
Behind the Sequences
Every soft story begins somewhere—on the back of a receipt, in the margin of a notebook, or in a sketch made before the characters had names. These notes, drawings, and early concepts offer a glimpse into how Red Forest Island found its rhythm.
This section includes early visuals and memory fragments that shaped Jared and John’s world. They’re rough, tender, and completely part of the storytelling.
